The son (Al Pacino) of a gangster (Marlon Brando) takes over.
Reviewed by Chris Tookey
A landmark in 70s cinema, if only because it proved that a movie of this weight could be a huge hit. It's certainly a bravura piece of direction with a superb performance by Pacino, a memorably hammy one by Brando, and brilliantly staged set pieces - but those critics who think it a great film seem to have confused detail and length with depth. As a parable about American free enterprise, it's facile and vacuous; and as insight into organised crime, it is extremely dubious. No wonder members of the Mafia loved it; it ends up celebrating the mob as a model of family life and corporate loyalty.