A woman with showbiz ambitions (Ginger Rogers, pictured) confesses to murder in the hope tthat her notoriety will help make her a star.
Reviewed by Chris Tookey
A hard-bitten, cynical satire on the American penal system, showbiz, lawyers and the tabloid press. Ginger Rogers is fine as the frustrated cabaret artiste , but Adolphe Menjou (as her opportunisttic lawyer) is even funnier. Wellman directs with pace and style. Though set in the roaring 20s, much of the humour remains surprisingly topical. Itself a remake of a 1927 film, Chicago, it was later turned into the Musical of the same name.